Receive a response to your submission in 1 week!

This service is open year round, even when our general fiction submissions are closed. 

All fees for expedited responses go directly to our editors. 

*Please note that if your work is under serious consideration by our editorial staff, your expedited submission might take up to, but no longer than, an additional week. 

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We accept simultaneous submissions, but please let us know immediately if your story is accepted elsewhere. No previously published works. No submission fee. 

Please use Times New Roman, 12 point font and double space your work. Send finished drafts of up to 4,000 words in an attached Word doc. The first page of your document should include:
 

• The title(s) of the piece(s) you are sending, 
• Name
• Phone number
• Email address
• Your brief cover letter with third person bio

Response time 

We aim to get back to writers within 3-6 months. We appreciate your patience.  
 

Accepted Work

Writers will receive $200 for published fiction pieces as well as a special interview feature with our fiction editor, Tamar. Published pieces will be accompanied by original artwork, and writers will receive a media kit to display their work across social media. 

What We Are Looking For: Notes from our Editors 

Tamar Mekredijian, Fiction Editor 

Tamar is looking for character-driven stories with a strong central emotion.  Don’t be afraid to break her heart. She is drawn to characters who make mistakes. She wants to read stories that make her look at life closely and see beauty in the shadows. She is looking for attention to details that are usually overlooked, and she isn’t afraid of surprises.
 

Suzanne Grove, Fiction Editor

Suzanne is most often drawn to character-driven fiction with a focus on interiority and a penchant for highlighting the surreal elements in everyday life. She most appreciates characters who are haunted in some way—by their pasts, by the hope and uncertainty of the future, by their own conflicting desires, and by the space between what they need and the achievement of those needs. Her favorite stories don’t necessarily adhere to traditional ideas about plot structure, but rather propel themselves forward via constant micro-tensions and questions raised on the page. She is looking for stories that allow us to step into the unknown while simultaneously holding up a mirror and pushing us to go deeper within ourselves. More than anything, she’s seeking stories driven by unique and diverse narrative voices and a strong sense of style at the line level.